※ 引述《dorabella (多拉)》之銘言：
: Keiko-ho (n.) A training method in Kendo using strikes and thrust, practiced
: in armor, developed from original Kata practice. (Toward the
: end of the Meiji Period Kirikaeshi was separated from Keiko,
: as was Kakarigeiko at the end of the Taisho Period. Later
: Hikitategeiko, Gokakugeiko, Shiaigeiko were grouped and labeled
: as Jigeiko. Because Gokakugeiko has become the central part of
: Keiko the two terms are now synonymous.)
Kirikaeshi きりかえし 切返し
就大家熟知的切返
Kakarigeiko かかりけいこ 掛かり稽古
衝擊練習 不過以下位者為主 上位者原則上是放給下位者打
下位者需盡一切可能去攻打上位者 取得成功打擊
Hikitategeiko ひきたてけいこ 引き立て稽古
衝擊練習 以上位者為主 上位者會對下位者的攻擊積極反擊 以引出下位者的鬥志
並使其知道技術的缺陷為何
Gokakugeiko ごかくけいこ 互角稽古
沒有裁判 雙方互衝以一支決勝負的練習法 雙方實力相近時更見效果
Shiaigeiko しあいけいこ 試合稽古
就大家熟悉的比賽練習
--
: Keiko-ho (n.) A training method in Kendo using strikes and thrust, practiced
: in armor, developed from original Kata practice. (Toward the
: end of the Meiji Period Kirikaeshi was separated from Keiko,
: as was Kakarigeiko at the end of the Taisho Period. Later
: Hikitategeiko, Gokakugeiko, Shiaigeiko were grouped and labeled
: as Jigeiko. Because Gokakugeiko has become the central part of
: Keiko the two terms are now synonymous.)
Kirikaeshi きりかえし 切返し
就大家熟知的切返
Kakarigeiko かかりけいこ 掛かり稽古
衝擊練習 不過以下位者為主 上位者原則上是放給下位者打
下位者需盡一切可能去攻打上位者 取得成功打擊
Hikitategeiko ひきたてけいこ 引き立て稽古
衝擊練習 以上位者為主 上位者會對下位者的攻擊積極反擊 以引出下位者的鬥志
並使其知道技術的缺陷為何
Gokakugeiko ごかくけいこ 互角稽古
沒有裁判 雙方互衝以一支決勝負的練習法 雙方實力相近時更見效果
Shiaigeiko しあいけいこ 試合稽古
就大家熟悉的比賽練習
--
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